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Friday, 24 May 2013
Wednesday, 22 May 2013
Review: Mama's Child by Joan Steinau Lester
FOR IMMEDIATE RELEASE
MAMA'S CHILD
A Novel
by Joan Steinau Lester
A stunning tale about the deeply entrenched conflicts between a white mother and her biracial daughter.
For 30 years, award-winning author and educator Joan Steinau Lester has been on the forefront of defining and redefining what it means to be diverse. In her second novel, MAMA’S CHILD (Atria Paperbacks; 978-1-4516-9318-8; May 7, 2013; $15.00), she explores racial boundaries and melding points. Once again, as in Lester’s critically acclaimed novel Black, White, Other: The Search for Nina Armstrong, a biracial daughter struggles with her own issues of identity.
MAMA’S CHILD follows twenty-three years in the life of Lizzie O’Leary, an idealistic young white woman who travels to the American South as a civil rights worker. She meets, falls in love with, and marries Solomon Jordan, a musician and fellow activist, who is black. Together, the young couple settles in the more liberal San Francisco area and starts a family: daughter Ruby, and son Che. They remain deeply involved in the Black Liberation Movement: participating in protest marches, and living in a home filled with Black Power posters, jazz, protest songs, and visiting Black Panthers.
But by 1978, when the novel opens, there is tension between the couple. Solomon’s music career keeps him away from home too much, and Lizzie is frustrated: “I need you here. I can’t raise these kids by myself. And they need a black parent, some days I just don’t know what to do.” Eventually, the strain becomes unbearable, and they divorce when their children are still young.
Their divorce deeply affects daughter Ruby, who is already suffering from a confused sense of self—“Am I black or white?” she continually asks herself. “Where do I belong?” She struggles with her own racial identity as well as her anger at her mother for splitting up the family. As for mother Lizzie, despite her attempts at trying to hold on to the emotional cord that binds them, the rift between mother and daughter widens.
It isn’t until Ruby herself becomes a wife and mother that she begins to develop compassion and understanding for the many ways that her own mother’s love transcended race and questions of identity.
Told in chapters alternating between the voices of the mother and daughter,
MAMA’S CHILD goes deep into the raw emotions of love, family, and ancestry– from two points of view.
BOOK DESCRIPTION
Original Trade Paperback
978-1-4516-9318-8
$15.00/U.S.
320 pages
May 7, 2013
Atria
With Foreword from Pulitzer Prize-winning author Alice Walker
A stunning tale about the deeply entrenched conflicts between a white mother and her biracial daughter.
Mama’s Child is story of an idealistic young white woman who traveled to the American South as a civil rights worker, fell in love with an African American man, and started a family in San Francisco, where the more liberal city embraced them—except when it didn’t. They raise a son and daughter, but the tensions surrounding them have a negative impact on their marriage, and they divorce when their children are still young. For their biracial daughter, this split further destabilizes her already challenged sense of self— “Am I black or white?” she must ask herself, “Where do I belong?” Is she her father’s daughter alone?
As the years pass, the chasm between them widens, even as the mother attempts to hold on to the emotional chord that binds them. It isn’t until the daughter, Ruby, herself becomes a wife and mother that she begins to develop compassion and understanding for the many ways that her own mother’s love transcended race and questions of identity.
Buying Links:
This was a thought-provoking roller coaster ride with
beautiful highs and devastating lows.
I immediately liked Ruby. She was fierce and
passionate, even as a young girl. I was a bit on the fence about Liz. She
seemed even more lost than her daughter, and her search to find her true self
has constantly forced on Ruby. It was like Liz thought if her daughter was okay
and knew her place in the world, then automatically she’d find peace. I didn’t
agree with many of the decisions Liz made and her constant disregard for her
daughter’s feelings only made things worse.
Even though Liz believed she was doing right by her
family, especially Ruby, much of what she did or said could very easily be
misconstrued. It was easy to see why Ruby felt so alienated by her. As a
biracial child, Ruby’s family had been divided, in her mind, by color, leaving
her confused and flailing to find any semblance of a normal life. When she
really needed a solid parental figure to guide her, there was none. Yes, Liz
was there but she had so much going on in her own life, that she hardly noticed
Ruby’s struggles.
To be totally fair, Liz did really have her daughter’s
best interests at heart, but she just went about everything in the wrong way
that it constantly looked like Ruby wasn’t a priority, and this only fed Ruby’s
bitterness. If Liz had been a little more sensitive to the situations she
placed her daughter in, maybe then they would have both understood each other
enough to have a happy relationship. At the same time, if Ruby had just taken
the time to see things from her mother’s perspective, perhaps she would have
realized just how much herself her mother had given up.
Not that is was always bad. There were fantastic moments
of love and understanding shared between the two; even at times when they hated
each other. I liked how each felt defensive when an outsider attacked the
other; that dynamic that allows only family to question or dislike each other. At
times Ruby was contradictory, telling Liz how much she appreciated her “white”
way of raising her so that she felt she could do anything she wanted, and the
next complaining about her mother’s “white” way of thinking. Ruby’s harshness
with Liz at a later stage in her life was shocking. I couldn’t understand how a
daughter could loathe her mother so much. Liz wasn’t perfect, but she was her
mother!
I felt that Ruby’s issues with Liz went far deeper
than racism but Ruby attacked her mother the only way she knew how. She refused
to face their problems head on so she found little things to blame her mother
for, never really getting to the root of the problem. It was a real slap in the
face that she looked to other mother figures for guidance. Perhaps if she had
given Liz a chance, she would have seen just how much her mother had grown and
changed; as much as she had, if not more.
It was interesting to see the relationship between
these two characters unfold. It made me reflect on my relationship with my own mother,
because even though this book held a strong message about racism and the fight
for equality, it was the mother-daughter relationship that kept the momentum
going.
This book gripped me from the start and left me
emotionally exhausted. It was a fantastic read and deserves nothing less than...
CRITICAL ACCLAIM FOR MAMA’S CHILD
“An astonishing accomplishment. The most passionate, the most honest and brave of books… riveting art.”
— Pulitzer Prize-winning author Alice Walker
“Lester’s poignant narrative probes the relationship between a mother and her biracial daughter...Lester writes well about a subject familiar to her: She’s a member of a biracial family, and her previous book, geared toward young adults, addresses the same issue. No matter a person’s ethnic or cultural background, this book is relatable.”
— Kirkus Reviews
“Mama’s Child is a deeply felt novel of a daughter on a quest for selfhood and a mother striving to come back to her own. Through alternating perspectives, Lester sensitively illuminates the challenges of living in a world still viewed through the filter of race. This is reminiscent of Alix Kates Shulman’s Burning Questions (1978) in terms of a woman’s consciousness awakening through a historic social movement.
— Booklist
“Mama's Child is a welcome addition to the growing body of mixed race literature. Joan Steinau Lester's innovation is a shift in gaze from the experience of the confused child to the often-overlooked, complicated white mother. It's a turn that's long overdue.”
— Emily Raboteau, author of Searching for Zion
“A stunning portrait of a family amidst the agony of recovery from near-drowning in the sea of racism.”
— Jewelle Gomez, novelist & playwright
AND FOR JOAN LESTER’S PREVIOUS WORK
BLACK, WHITE, OTHER
“The simple contrapuntal narrative of Sarah Armstrong’s escaping slavery distinguishes the book emotionally and psychologically, raising it above other issue oriented Young Adult novels. Lester writes with social sensitivity and an ear for teen language and concerns. This is engaging treatment of a challenging subject that comes with little precedent.”
— Starred Publishers Weekly Review
“The tenderness and truth of your book moved my heart. As well as the enormous love you have.”
— Alice Walker
“Made me more aware of the challenges biracial teens face.”
— A Few More Pages
“Insightful and engaging...Black, White, Other rings true from Page 1. It hooked me very quickly and I think anyone who's felt different as a teenager or has gone through a divorce can empathize with what Nina is going through. This novel is going to appeal to teens and adults alike.”
— PopcornReads.com
“Teens will be caught by the alternating stories, and yes, by the messages about...prejudice, then and now, which will make for great group discussion.”
— Booklist
“Joan Lester knows how to get inside a girl’s head. Nina feels like someone you know or really want to know. Readers will cheer her one as she faces the fundamental question of who she is and who she wants to be.”
— Marissa Moss, author of the bestselling Amelia's Notebook series.
FIRE IN MY SOUL: ELEANOR HOLMES NORTON
“A well-framed memoir, satisfyingly candid while also abrim with political theory. A gratifying biography.”
— Kirkus Reviews
“A rip-roaring political biography.”
— SF Chronicle
“Lester’s thorough portrait is a compelling and inspiring homage to a legacy still in progress.”
— Publishers Weekly
TAKING CHARGE: EVERY WOMAN'S ACTION GUIDE TO PERSONAL, POLITICAL AND PROFESSIONAL SUCCESS
“Peppered with humorous, helpful anecdotes, provides a lively jump-start to goalsetting.”
— Ms.
THE FUTURE OF WHITE MEN AND OTHER DIVERSITY DILEMMAS
“In its chatty, no-nonsense way, puts all the taboos on the table...it’s tricky territory, but in Lester’s hands, the paths are clear.”
— San Francisco Chronicle
“A warm, inviting book by a diversity consultant that doesn't toe the political party lines.”
— Orange County Register
“Lester’s generous voice sheds keen insight, humor and practical advice on the polarizing dilemmas of living with diversity.”
— Urvashi Vaid
ABOUT JOAN STEINAU LESTER
Dr. Joan Steinau Lester is an award-winning commentator and author of four critically acclaimed books: Eleanor Holmes Norton: Fire In My Soul; The Future of White Men and Other Diversity Dilemmas; Taking Charge: Every Woman's Action Guide; and her first novel, Black, White, Other: The Search For Nina Armstrong. She has won the NLGJA Seigenthaler Award in journalism and the Arts & Letters Creative Nonfiction Finalist Award. Taking Charge was nominated as a Best Women's Book by the San Francisco Women's Heritage Museum and Mama's Child was a Bellwether Prize finalist.
After receiving her doctorate in multicultural education, Dr. Lester served as the Executive Director of the Equity Institute, which pioneered the diversity wave of the '80s and '90s, for sixteen years. As a member of a biracial family, Lester’s lifelong passion has been writing about issues of racial identity. Her former husband and father of her children was black; she has been with a female partner/spouse for over thirty years. Lester’s writing has appeared in many newspapers and magazines, including
Essence, Los Angeles Times, Chicago Tribune, San Francisco Chronicle,
Huffington Post, and Cosmopolitan. She lives in Northern California.
Connect with Joan:
Tuesday, 21 May 2013
Release Day Launch: Review & Giveaway: The Hazards of Skinny Dipping by Alyssa Rose Ivy
Hello, Therians!
Please join me in wishing Alyssa Rose Ivy and The Hazards of Skinny Dipping a
SUPER, AMAZING
HAPPY BOOK BIRTHDAY!!
Check out my review below and don't miss out on the awesome giveaway!
You can win some amazing beach goodies, along with a signed copy of
The Hazards of Skinny Dipping.
Everything you need with Summer just around the corner.
SYNOPSIS
This isn't a deep book about
first loves or self-discovery. If you want a book like that, I'd be happy to
recommend one, but I don't have that kind of story to tell. Instead my story is
about rash decisions and finding out that your dream guy is bad in bed. It's
the story of when I finally went skinny dipping, and how my life was never the
same again. Oh, and it's also the story of my freshman year of college and
realizing Mr. Right might have been there all along.
Buying Links:
REVIEW
Ah, skinny dipping. The liberating act of getting
naked and taking the big splash.
But as this book clearly warns, skinny dipping does
have its hazards. In Juliet’s case — contracting a douche bag, controlling boyfriend.
Symptoms: Bad sex.
I really liked how Amy, even though not a physical
character in this story, was still included through email conversations. She
was after all the one who set everything in motion, whether good or bad.
Juliet is a sweet, likable character. Although she
is portrayed as somewhat naïve and clueless, I really didn’t see her this way. At
first, maybe yes, but only because I just couldn’t believe she’d fallen so
easily for Dylan, not matter how much she confessed to stalking him. I would have expected her to know better.
Once she got to college things changed. She held her
own and even when it seemed she’d never see through Dylan, she came out stronger
and stuck to her guns. She had this underlying fierceness that showed through
from time to time. She wasn’t afraid to take on the big boys, as was clearly
shown during the laser tag game, and even with everything she was going
through, she still managed to come out on top...in more ways than one!
I have to ask…what the hell is wrong with the
Bradley boys? They were both too desperate and annoying it was a real turn off.
Although Kyle wasn’t as bad as Dylan, I was so glad that Juliet didn’t go
there.
Reed, oh sweet Reed! He’s charming, funny and quite irresistible.
I believe that even without his family drama, he would have been the sweet,
protective guy that he was. Although I didn’t immediately feel the spark
between Reed and Juliet…err…Annie, or should that be Oakley? They did share
some fun moments and I enjoyed the lighthearted banter between them. Even when
certain secrets were revealed, I was still on Reed’s side. I just couldn’t
believe that his intentions were cruel or meant to harm Juliet in any way.
All in all this was a fun, quick read, and I really liked
how it came full circle in the end.
It gets...
GIVEAWAY
ABOUT THE AUTHOR
Alyssa Rose Ivy is a New Adult
and Young Adult author who loves to weave stories with romance and a southern
setting. Although raised in the New York area, she fell in love with the South
after moving to New Orleans for college. After years as a perpetual student,
she turned back to her creative side and decided to write. She lives in North
Carolina with her husband and two young children, and she can usually be found
with a cup of coffee in her hand.
Connect with Alyssa:
Mama's Child Blog Tour: Author Spotlight with Joan Steinau Lester
FOR
IMMEDIATE RELEASE
MAMA'S
CHILD
A
Novel
by
Joan Steinau Lester
A
stunning tale about the deeply entrenched conflicts between a white mother and
her biracial daughter.
For 30 years, award-winning author and
educator Joan Steinau Lester has been on the forefront of defining and
redefining what it means to be diverse. In her second novel, MAMA’S CHILD
(Atria Paperbacks; 978-1-4516-9318-8; May 7, 2013; $15.00), she
explores racial boundaries and melding points. Once again, as in Lester’s
critically acclaimed novel Black, White, Other: The Search for Nina
Armstrong, a biracial daughter struggles with her own issues of
identity.
MAMA’S CHILD follows twenty-three years in
the life of Lizzie O’Leary, an idealistic young white woman who travels to the
American South as a civil rights worker. She meets, falls in love with, and
marries Solomon Jordan, a musician and fellow activist, who is black. Together,
the young couple settles in the more liberal San Francisco area and starts a
family: daughter Ruby, and son Che. They remain deeply involved in the Black
Liberation Movement: participating in protest marches, and living in a home
filled with Black Power posters, jazz, protest songs, and visiting Black
Panthers.
But by 1978, when the novel opens, there
is tension between the couple. Solomon’s music career keeps him away from home
too much, and Lizzie is frustrated: “I need you here. I can’t raise these kids
by myself. And they need a black parent, some days I just don’t know what to
do.” Eventually, the strain becomes unbearable, and they divorce when their
children are still young.
Their divorce deeply affects daughter
Ruby, who is already suffering from a confused sense of self—“Am I black or
white?” she continually asks herself. “Where do I belong?” She struggles with
her own racial identity as well as her anger at her mother for splitting up the
family. As for mother Lizzie, despite her attempts at trying to hold on to the
emotional cord that binds them, the rift between mother and daughter widens.
It isn’t until Ruby herself becomes a wife
and mother that she begins to develop compassion and understanding for the many
ways that her own mother’s love transcended race and questions of identity.
Told in chapters alternating between the
voices of the mother and daughter,
MAMA’S CHILD goes deep into the raw
emotions of love, family, and ancestry– from two points of view.
Thank you so much for joining us today, Joan. It is an honor!
- Tell us a bit about yourself.
- As a member of a biracial family, what are some of the struggles you/ your family have faced, as far as stereotyping and discrimination?
One of the commonest issues, which I bring up several times in my novel Mama’s Child, was that we were not viewed as a family, but rather as separate individuals who happened to be in the same place at the same time. This actually still happens! Such public misunderstanding puts a burden on members of biracial families to constantly be indicating to others, verbally and nonverbally, “We are family.”
- Your work is very thought-provoking and inspiring, what do you hope your readers will gain from your books?
An appreciation for the challenges people from different demographic groups than themselves face, and also inspiration to believe they can overcome whatever their own challenges are—as my characters do.
- I am South African, and all though we are now a democratic country, the issue of race and inequality is still something we struggle with. What message would you give to the people of South Africa?
South Africa has actually been enormously inspirational to those of us in the U.S. who have long worked for civil rights and equality. Even though poverty, violence, and inequality—the awful remnants of apartheid—remain, we here salute you and thank you for your long courageous movement.
- What made you move from non-fictional, biographical novels, to fiction writing?
I was curious about the challenge: I always like to try my hand at new genres, once I feel I’ve mastered one. And sometimes stories can be told in fiction in an even more impactful way than in nonfiction. I’m soaring now, with Mama’s Child as my second novel, and a contract for a third. For the moment, it’s fiction, fiction, fiction for me, all the way.
- Not only are you a writer, but you offer editorial services, tell us more about that.
For fifteen years now I’ve offered editing to people whose work I want to support: feminist columnists, African American memoirists, and many others who share my values. But during this last year I’ve gotten so busy with my own writing (and publicity for it) that I’ve had to turn away all client inquiries. Perhaps next year I will have space to take on new work; I enjoy the process of teaching one-on-one that way, and seeing client writing grow to publication.
- What is the most important piece of advice you have ever been given as a writer?
“Start your story in the middle, not at the beginning. Leap right into it. That’s where the juice is.”
- What advice would you give to upcoming writers?
Be of good courage. It can be frightening to write with an eye to publication: “What will people think of me or my work, am I any good, do I have anything new to say?” All writers get assailed sometimes by these doubts. So know that and simply persevere. You DO have something unique to contribute.
- When you’re not writing, what do you do to relax?
I walk in the woods near my home nearly every morning, which both relaxes and energizes me. They are amazing, full of birds and deer. Last week I even saw the haunch of a mountain lion, with its enormous tail.
I also take breaks from the computer to work in my lovely flower garden, which inspires me with its beauty.
Yes, I am on the fourth draft of a sequel to my novel Black, White, Other, about another biracial girl and family. That novel, Langston Hughes and the One True Me, will be out in on February 1, 2015, Langston Hughes’s birthday (he was born Feb. 1, 1902).
Thanks for the great questions!
ABOUT JOAN STEINAU LESTER
Dr. Joan Steinau Lester is an
award-winning commentator and author of four critically acclaimed books: Eleanor
Holmes Norton: Fire In My Soul; The Future of White Men
and Other Diversity Dilemmas; Taking Charge: Every
Woman's Action Guide; and her first novel, Black, White, Other:
The Search For Nina Armstrong. She has won the NLGJA Seigenthaler
Award in journalism and the Arts & Letters Creative Nonfiction Finalist
Award. Taking Charge was nominated as a Best Women's Book by the San
Francisco Women's Heritage Museum and Mama's Child was a Bellwether
Prize finalist.
After receiving her doctorate in
multicultural education, Dr. Lester served as the Executive Director of the
Equity Institute, which pioneered the diversity wave of the '80s and '90s, for
sixteen years. As a member of a biracial family, Lester’s lifelong passion has
been writing about issues of racial identity. Her former husband and father of
her children was black; she has been with a female partner/spouse for over
thirty years. Lester’s writing has appeared in many newspapers and magazines,
including
Essence, Los Angeles Times,
Chicago Tribune, San
Francisco Chronicle,
Huffington Post, and Cosmopolitan. She
lives in Northern California.
Connect with Joan:
BOOK
DESCRIPTION
Original
Trade Paperback
978-1-4516-9318-8
$15.00/U.S.
320
pages
May 7,
2013
Atria
With
Foreword from Pulitzer Prize-winning author Alice Walker
A stunning tale about the
deeply entrenched conflicts between a white mother and her biracial daughter.
Mama’s Child is story of an idealistic
young white woman who traveled to the American South as a civil rights worker,
fell in love with an African American man, and started a family in San Francisco,
where the more liberal city embraced them—except when it didn’t. They raise a
son and daughter, but the tensions surrounding them have a negative impact on
their marriage, and they divorce when their children are still young. For their
biracial daughter, this split further destabilizes her already challenged sense
of self— “Am I black or white?” she must ask herself, “Where do I belong?” Is
she her father’s daughter alone?
As the years pass, the chasm between them
widens, even as the mother attempts to hold on to the emotional chord that
binds them. It isn’t until the daughter, Ruby, herself becomes a wife and
mother that she begins to develop compassion and understanding for the many
ways that her own mother’s love transcended race and questions of identity.
Buying Links:
CRITICAL ACCLAIM FOR MAMA’S
CHILD
“An astonishing accomplishment. The most
passionate, the most honest and brave of books… riveting art.”
— Pulitzer Prize-winning author Alice
Walker
“Lester’s poignant narrative probes the
relationship between a mother and her biracial daughter...Lester writes well
about a subject familiar to her: She’s a member of a biracial family, and her
previous book, geared toward young adults, addresses the same issue. No matter
a person’s ethnic or cultural background, this book is relatable.”
— Kirkus Reviews
“Mama’s Child is a deeply felt
novel of a daughter on a quest for selfhood and a mother striving to come back
to her own. Through alternating perspectives, Lester sensitively illuminates
the challenges of living in a world still viewed through the filter of race.
This is reminiscent of Alix Kates Shulman’s Burning Questions (1978) in
terms of a woman’s consciousness awakening through a historic social movement.
— Booklist
“Mama's Child is a welcome addition
to the growing body of mixed race literature. Joan Steinau Lester's innovation
is a shift in gaze from the experience of the confused child to the
often-overlooked, complicated white mother. It's a turn that's long overdue.”
— Emily Raboteau, author of Searching
for Zion
“A stunning portrait of a family amidst
the agony of recovery from near-drowning in the sea of racism.”
— Jewelle Gomez, novelist & playwright
AND FOR JOAN LESTER’S
PREVIOUS WORK
BLACK, WHITE, OTHER
“The simple contrapuntal narrative of Sarah
Armstrong’s escaping slavery distinguishes the book emotionally and
psychologically, raising it above other issue oriented Young Adult novels.
Lester writes with social sensitivity and an ear for teen language and
concerns. This is engaging treatment of a challenging subject that comes with
little precedent.”
— Starred Publishers Weekly Review
“The tenderness and truth of your book
moved my heart. As well as the enormous love you have.”
— Alice Walker
“Made me more aware of the challenges
biracial teens face.”
— A Few More Pages
“Insightful and engaging...Black,
White, Other rings true from Page 1. It hooked me very quickly and I think
anyone who's felt different as a teenager or has gone through a divorce can
empathize with what Nina is going through. This novel is going to appeal to
teens and adults alike.”
— PopcornReads.com
“Teens will be caught by the alternating
stories, and yes, by the messages about...prejudice, then and now, which will
make for great group discussion.”
— Booklist
“Joan Lester knows how to get inside a
girl’s head. Nina feels like someone you know or really want to know. Readers
will cheer her one as she faces the fundamental question of who she is and who
she wants to be.”
— Marissa Moss, author of the bestselling
Amelia's Notebook series.
FIRE IN MY SOUL: ELEANOR
HOLMES NORTON
“A well-framed memoir, satisfyingly candid
while also abrim with political theory. A gratifying biography.”
— Kirkus Reviews
“A rip-roaring political biography.”
— SF Chronicle
“Lester’s thorough portrait is a
compelling and inspiring homage to a legacy still in progress.”
— Publishers Weekly
TAKING CHARGE: EVERY WOMAN'S ACTION GUIDE
TO PERSONAL, POLITICAL AND PROFESSIONAL SUCCESS
“Peppered with humorous, helpful
anecdotes, provides a lively jump-start to goalsetting.”
— Ms.
THE FUTURE OF WHITE MEN AND OTHER DIVERSITY DILEMMAS
“In its chatty, no-nonsense way, puts all
the taboos on the table...it’s tricky territory, but in Lester’s hands, the
paths are clear.”
— San Francisco Chronicle
“A warm, inviting book by a diversity
consultant that doesn't toe the political party lines.”
— Orange County Register
“Lester’s generous voice sheds keen
insight, humor and practical advice on the polarizing dilemmas of living with
diversity.”
— Urvashi Vaid
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